Course Descriptions

MUS 206 continues the study of tonal harmony and voice leading from MUS 107. MUS 206 also includes a survey of common chromatic chords, modulation and modal inflection as well as basic formal types and fundamental procedures in fugue. Attendance at one hour of keyboard lab weekly is required in addition to the lectures. Prerequisite: Take MUS-107 with a Minimum Grade of C-. Co-requisite: MUS-206L.

• Music
• 3 Credit(s)
• (3) Contact Hour(s)

This course is a continuation of Music Theory Aural Lab II, designed for individuals majoring in Music and Music Recording. Course content amplifies the material covered in the lecture portion. Course specific skills developed include sight-singing and ear training. Co-requisite: MUS-206.

• Music
• 1 Credit(s)
• (2) Contact Hour(s)

Music 207 is the continued study (from Music 206) of harmony and voice leading (particularly chromatic harmony) and the continued consideration of basic formal idioms in more complex applications. Music 207 also surveys mainstream 20th Century compositional techniques. Attendance at one hour of keyboard lab weekly is required in addition to the lectures. Prerequisite: Take MUS-206 with a Minimum Grade of C-. Co-requisite: MUS-207L.

• Music
• 3 Credit(s)
• (3) Contact Hour(s)

This course is a continuation of Music Theory Aural Lab III, designed for individuals majoring in Music and Music Recording. Course content amplifies the material covered in the lecture portion. Course specific skills developed include sight-singing and ear training. Co-requisite: MUS-207.

• Music
• 1 Credit(s)
• (2) Contact Hour(s)

A study of the evolution of music from Gregorian chant and music of the troubadours through the writings of J.S. Bach. Students will engage with the material in a variety of ways, such as composing. Prerequisite: Take ENG-101 and MUS-107 with a Minimum Grade of C-.

• Music
• 3 Credit(s)
• (3) Contact Hour(s)

The history of music from the rise of sonata form in the works of Haydn and Mozart to the twelve-tone, aleatoric, and electronic music of the present. Students will engage with the material in a variety of ways such as listening, researching, and writing. Prerequisite: Take ENG-101 and MUS-107 with a Minimum Grade of C-.

• Music
• 3 Credit(s)
• (3) Contact Hour(s)

This is a continuation of audio one. Emphasis will be on gaining experience in the studio thru a variety of student projects. Students will study multi track theory, aural analysis, microphones, effects and sequencing. Prerequisite: MUS 170, Corequisite: MUS 107. Prerequisite: Take MUS-170 with a Minimum Grade of C-. Co-requisite: MUS-107.

• Music
• 3 Credit(s)
• (4) Contact Hour(s)

This course covers all the material acquired in the two prerequisite courses in greater detail, and discusses how to use those concepts within stylistic norms. Throughout the course we will emphasize "ear training" and the art of listening, in conjunction with mixing techniques and practice. Prerequisite: Take MUS-270 with a Minimum Grade of C-. Co-requiste: MUS-206.

• Music
• 3 Credit(s)
• (4) Contact Hour(s)

This course serves as a capstone experience for students in the Music Recording Program. Students will be expected to function as a professional recording engineer with clients, booking sessions, meeting deadlines and seeking possible album distribution. Prerequisite: Take MUS-271 with a Minimum Grade of C-. Co-requisite: MUS-207.

• Music
• 3 Credit(s)
• (4) Contact Hour(s)

This course provides an introduction to sound reinforcement systems and practical live recording applications. Emphasis is placed on sound system components, design, and function with a hands-on approach to set up, maintenance, troubleshooting, operation, analysis, and safety. Other course topics will include a study of a variety of recording formats as well as digital multi-track equipment and operation leading to individual on-location recording projects. Some basic tools required. Prerequisite: Take MUS-270 with a Minimum Grade of C-.

• Music
• 3 Credit(s)
• (3-1) Contact Hour(s)