Finger Lakes Community College
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Music Courses
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MUS 100 Music Appreciation (3-0) 3 hrs.
A course for the general interest student, the intent of which is to heighten the student’s awareness of the place of music in our culture and enhance his or her enjoyment of the art form itself. B . View Course Syllabus
MUS 105 Basic Musicianship (3-0) 3 hrs.
Study of scales, intervals, key signatures, meters, rhythmic reading and chords. This course is for students with little or no background in music performance or theory. B . View Course Syllabus
MUS 106 Music Theory I (3-3) 4 hrs.
An introductory course designed for the general student and for individuals concentrating in Music or Music Recording Technology. Students learn the fundamentals of harmony, music reading, part writing in root position, simple chorale analysis, keyboard skills and sight singing. Attendance at two hours of aural dictation and one hour of keyboard lab weekly is required in addition to the lectures. Prerequisite: A score of 13 or higher on the Theory Placement Exam or a grade of C- or better in MUS 105. F . View Course Syllabus
MUS 106L Music Theory I Lab (1-2) 1 hr.
An introductory course designed for individuals majoring in Music or Music Recording to amplify the material covered in the lecture portion. Co-requisite: MUS 106. F
MUS 107 Music Theory II (3-3) 4 hrs.
Continuation of Music Theory I. Continuation of part writing triads, study of secondary dominants,continuation of study of chord and non-chord tone function in tonal system (including modulation), analysis of chorales, introduction to analysis of easy keyboard literature of the 18th and 19th Centuries. Attendance at two hours of aural dictation and one hour of keyboard lab weekly is required in addition to the lectures. Prerequisite: MUS 106. S . View Course Syllabus
MUS 107L Music Theory II Lab (1-2) 1 hr.
Continuation of Music Theory Aural Lab I. Designed for individuals majoring in Music and Music Recording to amplify the material covered in the lecture portion. MUS 106L is a prerequisite. Co-requisite: MUS 107. S
MUS 108 Class Piano (3-0) 3 hrs.
This course provides an introduction to keyboard performance in a group setting for students with little or no prior background. It is especially appropriate for non-piano majors who must gain basic keyboard proficiency. Although music majors will be given priority, class piano is also suitable for any student who wishes to learn how to play. The course emphasizes sight reading, transposition, harmonization and improvisation, as well as exposing the student to solo and ensemble repertory from a number of styles. F
MUS 109 Vocal Jazz Ensemble (3-0) 1 hr.
A select group of ‘day students’ chosen annually through audition who perform jazz and pop standards. Prerequisite: Audition and approval of instructor. B
MUS 111 Master Composers (3-0) 3 hrs.
A study of some of the well-known musical compositions by master composers from Bach to Stravinsky. F . View Course Syllabus
MUS 117 Master Composers II (3-0) 3 hrs.
In Master Composers II, students will continue to study particular examples of mainstream music literature from the 17th century to the present. The course aims to create a foundation for the broad perception of historic style across genres by developing a repertory of specific representative pieces which the student has had the opportunity to examine closely. Prerequisite: MUS 111 (also recommended: MUS 105 or the equivalent skill level). S . View Course Syllabus
MUS 118 Guitar Ensemble (0-3) 1 hr.
Members rehearse and perform guitar instrumental arrangements. B . View Course Syllabus
MUS 119 Percussion Ensemble (0-3) 1 hr.
Members rehearse and perform percussion instrumental arrangements. B . View Course Syllabus
MUS 120 Finger Lakes Chorale (0-3) 1 hr. SCP 013 n
A mixed chorus of approximately seventy singers from both the College and community which performs large choral works from all principal style periods. B . View Course Syllabus
MUS 125 Finger Lakes Camerata (0-3) 1 hr.
A select group of twenty-four singers chosen annyally through audition who perform a cappella works and music for chamber chorus. B
MUS 126 College Singers (0-3) 1 hr.
A group of approximately fifty day students who rehearse and perform music in a variety of styles. B . View Course Syllabus
MUS 127 Jazz Ensemble (0-3) 1 hr.
Members rehearse and perform contemporary jazz/rock arrangements and originals. Instrumental ability and some band experience are required. B . View Course Syllabus
MUS 129 Performance Class I (0-3) 1 hr.
Members rehearse and perform instrumental arrangements. B . View Course Syllabus
MUS 131 - 135, 137, 160, 161, 163-165, 167, 168 Applied Music (1-0) 1hr.
Instruction in Voice, Piano, Classic Guitar, and a variety of band, orchestral and keyboard instruments. All students who take Applied Music pay an additional fee for the lessons in addition to the tuition charge. A minimum of twelve, forty-five minute lessons is required per semester for a single academic credit. Except for the first semester of study, students are required to play a performance examination at the end of each term. B . View Course Syllabus
MUS 155 Rehearsal & Performance (3-3) 3 hrs.
A four week intensive course in musical theatre production. Students will prepare a musical for presentation at an area venue. Students are required to participate in the load-in and strike processes of the show. This course is open to all students including high school juniors and seniors as well as members of the community. May be taken more than once for credit. (Also listed as THE 105) . View Course Syllabus
MUS 170 Techniques of Audio Recording I (3-0) 3 hrs.
A study of mixer formats, patch bays, decibels, acoustics, and microphones. Emphasis is on gaining practical knowledge through working with recording equipment. Consideration is also given to production concepts and aesthetics. Students will work on both studio and field recording projects. F . View Course Syllabus
MUS 176 Music Business (3-0) 3 hrs.
Consideration of the business aspects of each step in the marketing of music, music services, and music products. The student learns about recording studio operation, record companies, record distribution, merchandising, promotion, administration, the media, and careers in music. S . View Course Syllabus
MUS 206 Music Theory III (3-3) 4 hrs.
Intermediate level work with harmony, voice leading and analysis grounded mainly in the stylish practice of the 18th and 19th Century tonal repertory. Includes introduction to form. Aural labs and keyboard labs develop sight-singing, dictation and performance competencies based on, or supportive of, material discussed in lecture. Prerequisite: MUS 107 or permission of instructor. F . View Course Syllabus
MUS 206L Music Theory III Lab (1-2) 1 hr.
This course is a continuation of laboratory experience in sight singing and ear training. Co-requisite: MUS 206. F
MUS 207 Music Theory IV (3-3) 4 hrs.
Continuation of Music Theory III. Attendance at two hours of aural dictation and one hour of keyboard lab weekly is required in addition to the lectures. Prerequisite: MUS 206 or permission of instructor. S . View Course Syllabus
MUS 207L Music Theory IV Lab (1-2) 1 hr.
This course is a continuation of laboratory experience in sight singing and ear training. Co-requisite: MUS 207. S
MUS 215 Music History I: Medieval to Baroque (3-0) 3 hrs.
A study of the evolution of music from Gregorian chant and music of the troubadours through the writings of J.S. Bach. Prerequisite: MUS 107 or permission of the instructor F . View Course Syllabus
MUS 216 Music History II: Classic to Modern (3-0) 3 hrs.
The history of music from the rise of sonata form in the works of Haydn and Mozart to twelve-tone, aleatory, and electronic music of the twentieth century. Prerequisite: MUS 107 or permission of the instructor. S . View Course Syllabus
MUS 229 Class Performance II (3-0) 1 hr.
Members rehearse and perform instrumental arrangements culminating in a performance at the end of the semester. S . View Course Syllabus
MUS 250 Audio Recording Practicum/Internship (0-0) 3 hrs.
Students are provided with practical experiences on commercial projects in area recording studios. Prerequisites: MUS 170, 174 or 176, 270, 271, and permission of instructor. B . View Course Syllabus
MUS 270 Techniques of Audio Recording II (3-0) 3 hrs.
A study of equalization, reverberation, tape recorders, compressors, recording consoles, tape editing, disc manufacturing, and routine studio maintenance. The student heightens his aural skills through applying critical listening techniques to prerecorded music. Students will work on both studio and field recording projects. Prerequisite: MUS 170 or permission of instructor. S . View Course Syllabus
MUS 271 Techniques of Audio Recording III (3-0) 3 hrs.
This course is a sequel to the Techniques of Audio Recording II. The student is introduced to computer software basic operations, computer based sequencing, MIDI, time code synchronization, and digital hard disk recording. Emphasis is on the impact of computers in music and in the modern recording studio. Prerequisite: MUS 270 or permission of instructor. F . View Course Syllabus
MUS 272 Techniques of Audio Recording IV (3-0) 3 hrs.
A continuation of Techniques of Audio Recording III incorporating additional computer techniques. Topics include digital editing, automation, mixing, and mastering. Prerequisite: MUS 271 or permission of instructor. S . View Course Syllabus
MUS 275 Audio Recording Special Project (0-7) 3 hrs.
Students are required to plan and produce a master tape recording consisting of four to six commercial length songs. Prerequisites: MUS 170, 174 or 176, 270, 271 and permission of instructor. B
MUS 290 Audio V: Sound Reinforcement and Live Recording (3-1) 3 hrs.
This course provides an introduction into sound reinforcement systems and practical live recording applications. Emphasis is placed on sound system components, design and function with a hands-on approach to set up, maintenance, troubleshooting, operation, analysis and safety. Other course topics will include the study of a variety of recording formats and digital multi-track equipment leading to individual on-location recording projects. Some basic tools required. Prerequisites: Audio IV or permission of instructor. B . View Course Syllabus
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